The Asa Studio Albanese con-temporary office in Berlin was established for the Lindower 22 project, a post-industrial regeneration project involving a huge old redbrick industrial complex dating back to the early 1900s in the Wedding district of West Berlin.
- ASA studio albanese
- 700 sqm
project Flavio Albanese —
founder & partner
Flavio Albanese (1951), is founder and president of ASA studio albanese. He is a self-educated designer, by combining his passion for contemporary art with the practical experience of an artisan-architect. Having come into contact with Carlo Scarpa, he learns from him to avoid an “a priori” approach to design, adapting on a case-by-case basis to the occasions, themes and contexts. He has held courses at the École Polytechinique Fédérale in Lausanne and at the Art Institute in Chicago (1980), at Yale University (1983), at the University of Architecture in Delft (2005), at the University of Florida (2006), at the Fundacion Proa de Buenos Aires (2008) and frequently at the most important Italian universities. He has also held two workshops at the international summer school of the Architecture School in Venice in 2009 and 2010. He was a member of the Confindustria Vicenza committee from 1998 to 2001, the Domus Academy Scientific Committee (2004-2005) and the MIart Committee of Honour (2009 and 2010), director of the Officina del Porto di Palermo (2006-2008), vice president of the Andrea Palladio Architecture Firms International Centre (2011-2015) and president of the Fondazione Teatro Comunale Città di Vicenza (2010-2016). From 2007 to 2010 he was asked to head Domus, the prestigious international architecture, design and contemporary art magazine. Active since 1971, in 1987 he founds with his brother Franco ASA studio albanese. The studio's projects were published by the most most important architecture and design magazines: the Neores project was selected for the Mies van der Rohe Foundation European Union Prize for Contemporary Architecture (2003), and ASA studio albanese took part in Venice's Architecture Biennial in 2004 and 2006. Flavio is an avid reader and bibliophile (his library, which is open to the rest of the firm, contains more than 15.000 volumes) and he is a connoisseur and collector of contemporary art.
partner, CEO & executive director
Franco Albanese (Vicenza, 1958) has worked in the world of architecture and design since 1976. He graduated from the Architecture School in Venice in 1986 and the year after he founded ASA studio albanese in Vicenza with his brother Flavio. Since then he has been the firm's CEO and Technical Manager, and this role has led him to playing his part in the creation, development and execution of the most important projects. As designer and operations manager he oversaw: the Faculty of Veterinary Medicine at the University of Padua (1997); “Neores”, the production site and headquarters of Sinv Spa in Schio, Vicenza, (selected for the Mies van der Rohe Foundation European Union Prize for Contemporary Architecture in 2003); the project for the Town Hall of the Municipality of Grumolo delle Abbadesse, Vicenza (1999); “Morimondo 17”, the industrial reconversion of the Sinv spa premises in Milan (2000); the headquarters of Margraf in Chiampo, in the province of Vicenza (2006). He also supervised the “Rocco Forte Verdura Resort” in Sciacca, in Sicily (2005), the expansion of Pantelleria Airport (2006), the new Rinascente in Palermo (2007), the reconversion project of Lindower 22 in Berlin (2011), the Hybrid Tower project in Mestre-Venice (2012), the Fope headquarter extension project in Vicenza (2016). In recent years, he has increasingly concentrated on reconverting urban industrial areas, which has become a key theme of ASA studio albanese's philosophy. In recent years, he has increasingly concentrated on reconverting urban industrial areas, which has become a key theme of ASA studio albanese's philosophy.project manager Simone Matteazzi
Since 2008, the year he joined ASA studio albanese, Simone has followed projects throughout their creation, from feasibility studies to the final stage. He specialises in relations with public bodies and local government, particularly as regards urban and regional planning. Since 2011, he has been working on the complex Lindower 22 project in Berlin, for which he has supervised the retrofit phase and the new construction work. Before joining ASA studio albanese, he worked for Archistudio in Vicenza (from 2001 to 2008) and as a member of the National City Planning Institute (2003-2008). He has also taught CAD at the Pier Giacomo Castiglioni Interior Architecture Institute from 2002 to 2012. He is currently Vice President of the Ordine degli Architetti Paesaggisti Pianificatori della Provincia di Vicenza and in this role he has been a member of national architecture tender commissions. His favourite word is frontier, and he prefers the beach to the mountains.team Andrea Garzotto —
Andrea is an architect who specialises in image rendering of projects and 3D models and joined ASA studio albanese in 2007. Virtual rendering and 3D models are a key aspect of every level in architectural projects, which is why Andrea is involved in all the firm's most important projects. Besides rendering images, he also works in interior design and architectural design. After spending a year and a half in Porto, where he fell in love with black and white images, he graduated in architecture from the IUAV in Venice in 2006. In December 2012, he opened "Incipit", a collective space and laboratory for the visual arts. Andrea is a freelance photographer, and considers himself to be a precursor to selfies and a wannabee biker. Travelling is an integral part of his life and his photography. He loves the Berghain in Berlin and wines that have bubbles.
3d models & digital printer supervisor
Francesco Marangoni (born in 1982) graduated in Political Economics from the University of Verona in 2007. After working as a projectionist and usher in the historic Odeon cinema in Vicenza, he happened upon ASA studio albanese in 2006. Here he has helped arrange and catalogue the more than 15,000 volumes contained in the firm's library. He then devoted himself to creating architectural models with a CAD/CAM pantograph and a 3D Zcorp 650 printer. Although he has founded and is involved in the production side of a small web radio station, he insists on listening to Radio3 in the models room on an analogue radio. In his free time, with variable results, he tries to indulge in his passion for reading, music and travel. From the studio library he'd borrow Codex Seraphinianus, while his favourite media is beer.
Sonia joined ASA studio albanese in 2008, and her role is Administrative Manager. She received her high school diploma in accounting, specialising in foreign sales, and worked for the Vicenza branch of KWC ITALIA, dealing with administrative management and resources. Since joining ASA she has improved her skills in the field of finance and management control by taking several specialist courses, as well as by always keeping her self-taught skills up to date. She plays an active role in the firm's managerial and decision-making processes. She lives in Vicenza and spends her free time helping the family company with her husband, taking care of their two children, and practising ballroom dancing. Her role and her life experiences have made her strong, uncompromising, optimistic and stubborn.
Riccardo graduated in architecture from the IUAV in Venice in 2002 and has worked with ASA studio albanese since 2008. He develops projects concerning production sites and offices, in particular in their final/working stages. He acts as a kind of "guarantor" for continuity between the design concept ideas and their final implementation. From 2002 to 2008 he worked at Morbiato, a construction company, dealing with architectural design, creating working plans, and assisting works managers on site. Riccardo is a practical man, with a passion for construction techniques, which he often experiments with, adopting the most innovative approaches. A proud amateur volleyball player, he says that if he hadn't become an architect he would have been a fireman.
Giuseppe studied philosophy in Venice and Paris, completing his research doctorate in 2006. Since 2007 has managed ASA studio albanese's communications, dealing with new acquisitions for the Library and taking part in key concept and project philosophy planning. From 2007 to 2010 he was a regular contributor to Domus magazine, providing articles, research and reviews, as well as working as editor on the books section for several editions. Before joining ASA, he was assistant librarian at the Museum of Modern Art in Ca' Pesaro in Venice (from 2001 to 2005). As a freelance copywriter he has produced concepts and text for various projects, working with the digital storyteller Felice Limosani on “Il sole sui tetti” 2011 and 2012, with the Fondazione Gaetano Marzotto for the Progetto Marzotto 2013, and with Intertrade Group and Agenzia del Contemporaneo for Pitti Fragranze 2014. He was a tutor at the summer workshop of the Architecture School in Venice in 2009 and 2010. The often exceedingly loud music blaring through his AKG headphones includes Radiohead (and never Coldplay), he loves wide open spaces that aren't very city-like, such as Berlin, and he prefers red wine to white.
- Heim Balp Architekten
- Images credits
- Andrea Garzotto
The western district of Wedding is considered to be an area of contemporary Berlin with great prospects, a place where many public and private organisations, both cultural or otherwise, are deciding to invest and set up their headquarters. This buzzing atmosphere has been aided by the existence of large reclaimed areas of industrial archaeology and by its focal position with excellent public transport connections to the city centre. All this has led the City of Berlin to pick Wedding as one of the best places for testing an ambitious programme of redevelopment through culture.
The future ASA studio albanese office will be at 22, LindowerStrasse on the second floor of a very interesting building known as “the cathedral” and is just a small part of a diverse project that has involved retrofitting the imposing and intriguing redbrick industrial complex. The redevelopment work in this case too adhered to the philosophy of rapid regeneration, through low-definition operations that have kept interference and reconstruction work to a minimum, leaving traces of the past and the renovation work as visible as possible.The Berlin office will be one of the main spillovers from the Lindower 22 cultural project, aimed at turning it into a research, experimentation and production district for contemporary culture.