In a seventeenth century building in upper Bergamo, between works by Pomodoro and Cascella, the perfect overview of today’s culture, classic and modern.
director of the project Flavio Albanese
founder & partner
Flavio Albanese (1951), is founder and president of ASA studio albanese. A self-taught man whose training did not follow the more usual academic route, he began to show interest in shapes and design as a very young boy, and he gradually added many strings to his bow in all sectors of architecture and design. He has held courses at the École Polytechinique Fédérale in Lausanne and at the Art Institute in Chicago (1980), at Yale University (1983), at the University of Architecture in Delft (2005), at the University of Florida (2006), at the Fundacion Proa de Buenos Aires (2008) and frequently at the most important Italian universities. He has also held two workshops at the international summer school of the Architecture School in Venice in 2009 and 2010. He was a member of the Confindustria Vicenza committee from 1998 to 2001, the Domus Academy Scientific Committee (2004-2005) and the MIart Committee of Honour (2009 and 2010), director of the Officina del Porto di Palermo (2006-2008), vice president of the Andrea Palladio Architecture Firms International Centre (2011-2015) and president of the Fondazione Teatro Comunale Città di Vicenza (2010-2016). From 2007 to 2010 he was asked to head Domus, the prestigious international architecture, design and contemporary art magazine. Together with his brother France, he founded ASA studio albanese in Vicenza in 1987, whose projects have appeared in the most important architecture and design magazines. The Neores project was selected for the Mies van der Rohe Foundation European Union Prize for Contemporary Architecture, and ASA studio albanese took part in Venice's Architecture Biennial in 2004 and 2006. Flavio is an avid reader and bibliophile (his library, which is open to the rest of the firm, contains more than 15,000 volumes) and he is a connoisseur and collector of contemporary art.
Light shades, the proper use of materials and the choice of furniture make the precious stucco stand out and help to emphasize the largeness and the size of the rooms, the true luxury of this building. The giant and monumental connecting spaces exhibit collector’s pieces as they were an exhibition gallery and instilling in the building an ironic museum atmosphere. The main hall invites guests into the dazzling whiteness of the stuccos, columns and tapestry. Beyond this, the building hides the most intimate spaces, the bedrooms, the kitchen and the swimming pool.